Kurukshetra - Aryavarta Chronicles #3 - [Book Review]

Kurukshetra by Krishna Udayasankar
My rating: 4 of 5 stars

A few weeks back, I was in a discussion with author Krishna Udaysankar on BlogAdda’s chat on mythological fiction. In general, I am of the view that a lot of the happenings in our epics are left open to interpretation and it is always refreshing to see someone go down an untraveled path while exercising their creativity. The author, in the discussion, mentioned that a lot of details differ in editions including critical editions, and we just assume that the popular version is the ‘correct’ one. I could not have agreed with the author Ms. Krishna on this more, and this perhaps is where the Krishna Udaysankar’s trilogy ‘Aryavarta Chronicles’ stands out. A retelling of the Mahabharatha standing in a very stable way in a very new realm, including a (fictitious) plot point that mostly works, Aryavarta Chronicles is a wonderful journey from start to finish. The focus of this post will essentially be on the third book of the trilogy ‘Kurukshetra,’ but there will be references to the first two books ‘Govinda’ and ‘Kauravas’ in a few places in the post.

For the fact that Mahabharata got me back to reading, I am usually keen on reading any interpretation of the epic that shows up. Upon hearing about the Aryavarta Chronicles and the author (and her credentials, I must say) my interest was piqued. With BlogAdda having this third book for review, it was no brainer for me to apply and ensure that I had read the first two books before the third one. I was tempted to try this one as a standalone, but a friend mentioned that flow and the understanding of the characters would be better if I read the first two books. (More on this a little later in the post.) I got the first two books, and it formed an integral part of my mornings for six days when I read it on the bus (my first time with continued reading on the bus).

Among the retellings of the epic Mahabharatha, I was most fascinated by two books for two different reasons: the character analysis in Irawati Karwe’s Yuganta: The End of an Epoch and general theme of M.T. Vasudevan Nair’s Bhima: Lone Warrior (though I am tempted to add Jaya by Devdutt Pattanaik to the list!). I can safely say that the Aryavarta Chronicles is going to feature in this list.

A portrayal of the lesser-known characters in a very new dimension, Kurukshetra starts at where Kauravas ended: a hint of the declaration of a war between the cousins. While many a version have written about the epic and the war in great depth, Krishna adds in a premise featuring a section of people called the Firewrights and a Secret Keeper. The reasons for many happenings in the epic are attributed to the Firewrights, and this includes the occurences of events including Dharma marrying Panchali and the empire expansion with the annexure of many a kingdom in Aryavarta (described in detail in Book 2).

Who are the Firewrights, what do they want, what is their ancestry and why is that the First borns are involved in the occurences along with the Firewrights? These are all the questions that Krishna tries to pose in the first two books and answer them (mostly satisfactorily) in the Kurukshetra. The fact that the Firewright theory stemmed from one of the first few people of the Kaurava family is indeed interesting and I quite liked how the author blended the happening in the last year of the exile of Dharma and his brothers to this.
There were many thing that had the book going great for me. Firstly, the writing. The author takes into account the intelligence of the reader and leaves quite a few things open for interpretation or for the reader to figure out himself. In an age, when story-telling can mean jotting down a screenplay lazily, Krishna makes a wonderful effort to introduce elements into the story which have meaning much later in the story, and it is up to the reader to connect those. Secondly, there was no God like stature to any of the characters, including Govinda. For example, the fact that the shaming of Panchali did not have a divine angle to it made you sympathize with the character a lot more. In addition, Govinda is shown as a selfish character for the most part (and there is a reason to it), and this I guess makes the character a lot more relatable. Thirdly, the main characters in this retelling included the characters that are mostly mentioned in the other versions to drive the story. With Dhristadymna, Shikhandin, Ashwattama, Sanjaya, Vyasa Dwaipayana, and Suka, forming a major chunk of the characters on who the story is focused on, it is refreshing to see the author not adopting the safe route for the epic. Even though a lot of the other characters including Pritha (Kunthi), Gandhaari, and Dhritarashtra, do not get enough screen time in the book, it doesn’t seem to affect the premise.

Two more things that I loved about the book were the innocent romance that Abhimanyu and Uttara had in the first part of the book including the days leading up to the war. I would definitely love to read a short piece by the author solely focusing on these two characters. One reason, she did not take Uttara’s love for Abhimanyu granted and two, Abhimanyu’s dignified (and perhaps awkward) behavior. The second thing was that in the book (and in the trilogy), a different side of Syoddhan is shown. One, he is not shown on the arrogant and angry cousin of Dharma. Two, his reason to declare a war of Dharma and his brothers is not for the kingdom as such. I would love to dwell on this for longer, but it would mean posting spoilers.

A couple of things that did not work for me in the third book was the identity of the secret keeper and in general, the (lack of) emphasis of the Firewrights. I was able to identify who the current secret keeper was in the first few pages of the book and perhaps that made me a little disappointed because I was waiting for the author to spring up a surprise and prove me wrong. Firewrights have been an intergral part of this trilogy with a major part of the second book focusing on the happenings involving them. Perhaps the author intended the third book to focus on the war more, and considering that the war was a result of the action of Firewrights, it is justified. A few minor typos, which do not matter in the larger scheme of things, could be corrected in the subsequent editions.

How does this book stand by itself and how is it as a part of the trilogy? I can safely say that for an enhanced reading experience and better background of the characters, especially considering the characters the author focuses on, the book is better read a trilogy. However, as a standalone too, the book is able to speak for itself, and the author provides sufficient background on a few of the key happenings the reader would need to know or remember from the first two book.

Overall, with some good writing which wonderfully compliments the reader’s intelligence, Kurukshetra (and overall the Aryavarta Chronicles) is a winner! I would love to see how Krishna Udaysankar’s next book turns out to be. And the TV show on this trilogy.

This review is a part of the biggest Book Review Program for Indian Bloggers. Participate now to get free books!


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I (Tamil) [Movie Review]

Tamil Cinema has seen a lot of successful and impactful collaborations off-screen. One such memorable collaboration is that of director Shankar and writer Sujatha. Having collaborated on many a movie including the very successful and entertaining Anniyan, Mudhalvan and Sivaji, the combination was sorely missed in parts of Endhiran (due to the death of Sujatha). Shankar did a quick and dirty project Nanban which didn’t need much creativity in the story or dialogues considering it was a scene-by-scene remake of 3 Idiots. With all these factors, Shankar had a pretty important litmus test on whether he would have a successful outing in I, without Sujatha. In a way to compensate for this, Shankar had roped in the actor Vikram, I guess. And he almost gets lucky.

A revenge-drama entered around Lingesan (Vikram), a local guy who shoots up to prominence, I definitely has Vikram in a very satisfying outing since Raavanan. Giving a 100% physically and perhaps mentally, Vikram definitely needs to be lauded for his performance throughout the movie, including the few scenes which showcase his acting prowess completely.

I is a story that could have been condensed to a fast-paced thriller of 100-120 minutes. With a total of five antagonists/villains, and a back-story for each of them with Vikram, the story definitely appeared stretched. To add to this, Shankar along with the writer Subha decides to insult the audience’s intelligence by replaying a few sequences which were quite obvious to ensure that the viewer places a piece of the jigsaw puzzle with just five pieces which already has four pieces in place. This tedious nature of the narrative does not help with the length either and makes it a dragging 189 minutes long movie.

One can always trust Shankar to work with A.R.Rahman well. And he sure has this time too. From the ’damaal-dumeel’ U-turn that I made (of not relishing the songs on the first listen, putting away the songs in a cold freezer and then getting called by the songs after a good two months to love them entirely), I was sure that the songs would be picturized in a way that would to justice to it. It is almost a blind faith that Shankar gets what he wants from Rahman, like Mani Ratnam (and perhaps Imtiaz Ali now). Starting the wonderful Ladio and Aila Aila, which turn out to be product commercials, to Mersalaiyten that shows even the not-so-enticing parts of Chennai as a wondrous spectacle, the songs are placed in the movie well and picturized well. The staple romantic duet in any Shankar movie is the Pookale Sattru Oyvendungal, which is shot in China and has the grandeur of nature showcased very well. I particularly want to mention ‘The’ song of the album and its picturization here. Ennodu Nee Irundhal is that song that perhaps a lot of us hated on the first listen only for us to go back and listen to it in a loop. With a Beauty and the Beast theme, even the video takes its time to grow on you. And how!

Amy Jackson, introduced by Vijay in Madrasapattinam, does what she supposed to do very well. She looks good. She dances well. She emotes well. And in one scene where she is supposed to talk in a local dialect, she throws in the attitude casually without much discomfort. A lot of this is to be credited to the voice Raveena. Upen Patel is the major antagonist here and will perhaps find chances in Tamil cinema to play the good-looking Hindi-speaking villain (who essentially speaks one two three baa baa black sheep and gets saved by the dubbing artist). There’s Suresh Gopi, Ramkumar (late actor Sivaji Ganesan’s son) Ojas M Rajini, and another actor who are up against Vikram. Santhanam is not a major annoyance in this movie, especially after the disastrous Lingaa, has some good one-liners and helps the storyline move, like how Vivek did in Anniyan. (Ojas M Rajini's character in the movie will definitely make a few of the activists for sexual equality gang up against the movie and the movie could have done without this character. )

Shankar, thanks for enabling Vikram win this one! Better luck to you next time!

PS: This was my first movie review in over 4 years with the last one being that of Shankar's Endhiran with Rajini! Time to get back to writing more I guess!

2014 - In a nutshell

After 4 years of writing about ‘This Year in a Nutshell’ blogpost, I skipped 2013. 2013 was one big year for me with a big career and personal move. I’d moved back to India after 7 years and 7 months in the US. And that was for good, and life has been good!

So here’s 2014 in a nutshell:

- The year with most travel to date! Thanks to work-related travel primarily and professional travel. Personal trips to Srilanka, Costa Rica, Amritsar, and Pondicherry; work-related trips to Nagaland (yes, you read it right!), Assam (again right!), Chandigarh, Jalandhar, Delhi, Indore, Pune, Mumbai, Hyderabad, Chennai, Kochi. So much air travel that the flight seat has become of one of my favourite reading chairs!

- The year of reading books! Finished my Goodreads yearly challenge of 20 books by reading 56 books (and counting). I can lose myself in books completely anytime. @NameFieldMT was one big motivator for me on this front. Thanks A!

- The year that I became a book review blogger! Thanks to @blogadda and @vivekisms, by sending in many many books for reviewing. You made me both read and write! The book review blog (I do crosspost on this blog, at times!)

- The year where I successfully completed two 10k runs! TCS 10k and Ajmera Thump, with a personal best of 59:22! Thanks to Bengaluru Runners and GS for the motivation.

- The year the Siblingeshwari got married and also left home to head to Bombay for studies (both being independent events).

- The year with increased traveling on public transport! Boo to traffic woes and dust! :D

- The year I moved past TV shows (hopefully!)! Have a huge backlog of TV shows to watch and I continue to read books.

- The year with two recordings including this 90stalgia! Hope I get back to music more and get better! Thanks @sdhrshn for that 90stalgia and making me sing some of my favorite songs by my God! Thanks @amaravind and @_curses too!

Okay, I think I have had a great year! Let me stop here before I cast nazar on myself! ;-)

Rabda: My Sigh... My Sai [Book Review]

Rabda: My Sigh . . . My Sai by Ruzbeh N Bharucha


It is not often that I go into an experimental phase with respect to reading, though I’d like to count a lot of the reads that I have done this year as experiments to see how my taste has evolved. When I got a chance to review ‘Rabda: My Sai… My Sigh,’ by Ruzbeh N. Bharuch I was not too sure if this book, given the spiritual read it was described to be, would be my cup of tea. I carefully navigated through the first few pages and had multiple false starts before I sat and completed the book in almost one go. While I am not too sure if I will go back to this type of reading, I must say that reading this was an experience in itself.

The premise of the book is a very simple one where a patient Rabda who is very very close to death gets to interact with Baba Sai. Baba Sai looking at this devotee of his from a previous lifetime begins to talk about his life, from the time he got to Shirdi, how he treated his devotees, what he thinks of life, and more. This interaction more or less turns out to be a discourse of sorts and there is definitely a lot of philosophy, spirituality and some common sense in it.

While the writing is pretty much to the point such that a reader is not bogged down by the vocabulary especially considering it is a spiritual read, the use of abusive words that are found in Baba’s speech is something that definitely leaves a bad taste in the reader. It is true that Baba was a man who had a colourful vocabulary and used words at his will especially given his temper. However, the same set of words and same provocations and reactions from Rabda were done to death after a while.

For me, the read was mostly material that I think I would listen to in a discourse/lecture. And the fact that the author Ruzbeh is able to put in a book is impressive. I am sure people who are into spiritual reads will enjoy this book.

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The Ripple Effect

I was in Class 3. Due to some family constraints, I was put in a ‘local’ school close to home for two years, before I went on to one of the ‘bigger’ schools in the city from Class 5. Class 3 is where you more often than not associate a kid with a happy-go-lucky lifestyle without bothering as much. You still are in a nascent phase of your life and do not have a clue of what happens in life anyway. This school that I was in did have a lot of students from the lower economic background and a few of them did go hungry through the day filling their ever-growling tummies with the tap water during lunch and headed out to play. There were many such classmates of mine, and the fussy eater that I was would end up passing on parts of my lunch or at times in entirety to one of those classmates.

The reason I mention this is because I have seen at least a dozen of my classmates faint during the physical training (PT) classes which were usually held after lunch. The reason why that happened is not difficult to trace back to. This would in turn mean the student would miss the classes at least for the rest of the day, and at times for multiple days in a row. It is not rocket science that this definitely disrupts the learning of the student.

So hunger fuels bad health. Bad health in turn leads to the student missing his classes. This in turn leads to a less-than-perfect learning for the student. This may very well continue to haunt him for the rest of his life particularly considering the impact that education has on one’s career and life.

I’d rather be seen as a person of action than that of words. One way that I along with my family has acted on this is by shunning all forms of celebrations for birthdays, anniversaries, and success. We instead contribute to an orphanage closely which though managed well is quite short of funds. Rather than spending a good Rs. 2000 on getting a few pizzas, I’d use the same to feed the 20 kids in the institute three times a day for two days. This has been the case for close to 10 years and we will continue to do so in the years to come.

BlogAdda, as innovative as they are, are supporting the AkshayaPatra foundation and I am happy to be a part of this cause since the ripple effect that a mid-day meal scheme for children has is indeed amazing. Kudos to you, BlogAdda!

I am going to #BlogToFeedAChild with Akshaya Patra and BlogAdda.

The Magician who lost his Wallet [Book Review]

(I received this book from the author Gautam Acharya as a part of Goodreads First-Reads giveaway program. Thank you Gautam!)

I have always been fascinated by the first book of an author, mainly because I am curious to see how the author pens down his thoughts and sustains his ‘first-book’ enthusiasm through the course of the book. Gautam Acharya, the author of ‘The Magician who lost his Wallet,’ had me intrigued with the title of the book itself and he moderately succeeds in having me glued to the book till the end.

At less than 190 pages, The Magician who lost his Wallet is an easy read with mostly simple and conversational language with a semi-compelling premise. The premise is that of a person who finds a wallet and tries to trace down the owner of the wallet, while there are others who are onto doing the same thing. In the process, we learn about a person who finds a way to work on what he thought was his true calling, his complex with his neighbor, his relationship with his brother-in-law and the like. The word ‘magician’ in the title is where all the mystery is shrouded in and Gautam handles this mystery in a pretty safe and tested manner.

As mentioned, the book has its premise in a lost-and-found setting while incorporating quite a few characters into the premise. While Gautam builds up a good background for most of the characters including Debu, Rana, Ritvik, Pandey and others, he could have perhaps emphasized a little more on the other three characters around which the novel is centered in the last few pages. As a result of this, the mystery is not an easy guess, especially considering the detailing that goes into most of the characters. This is where Gautam wins (and perhaps falters!). You seem as though you are led into believing something and then there’s a perfect foil to what you thought might be the ending. Of course, there are a few loose ends which do not seem to matter in the larger scheme of things.

Gautam Acharya in his first books seems to have treaded a safe line quite successfully without indulging in many a fancy writing. But it would be good to see how he gets out of this safe zone aka. comfort zone and voices his thoughts in the near future. 

The Mahabharata Quest: Alexander’s Secret [Book Review]

The market is definitely flooded with a lot of the mystery thrillers which borrow their themes from some form mythology and weave around a story with a search for something precious. Dan Brown, one of the authors who tasted great success with this type of premise, opened up this market to the mainstream readership. In India too, there have been authors like Ashwin Sanghi and Amish Tripathi who’ve experimented with genre and tasted commercial success. Christopher C Doyle, who debuted with The Mahabharata Secret last year, seems to have gotten the ingredients for this thriller right.

The premise has three to four equally important protagonists, among whom Vijay is seems like the main one, who are working against (and perhaps later, for) something called The Order. The Order has been working towards gathering some information which is rooted in the Macedonian mythology from the times of Alexander and his mother Olympias. The ‘secret’, if obtained, will work as a perfect cure for many a thing. What is this secret, how is it connected to Alexander, why does The Order have so much of significance, why do the Intelligence Bureau and characters like Vijay, Irfan, and many others matter to The Order is the premise of the story.

At 350+ pages, this book is an easy read and a page turner and manages to sustain the reader’s interest quite a bit. However, it has its slow moments when there is a lot of talk about the biotechnology aspect and also due to the repetitiveness with respect to the mythological aspect. The author tries to reach out to the average reader and hence over-explains a lot of things which could have been avoided. The language is definitely above average.

What really is to be appreciated about the book is the fact that the author, despite the convoluted premise, has researched quite a bit on the Macedonian history, the Mahabharata, and a little bit of the geography. At times, there is a mention of things from the previous book in a few places to help the author understand the rapport that a few of the characters share. But the book easily stands out as standalone book and the author has taken care to introduce mystery elements in the premise, which he says he will address in the subsequent books in the series. The book ends with some form of closure that the ‘good’ guys are still looking forward to something and the ‘bad’ guys have gotten the secret for now.

What the author could have worked on is on shortening the premise, as explained earlier. With some good editing, the book could have been a fast paced 250 page thriller. In addition, stretching a premise over multiple books sort of weakens the premise as such unless there is indeed a ‘WOW’ moment in each of the books. There are many such revealing moments in this book, but they all fall short of the WOW factor. Perhaps, the next few books can work towards that.

Overall, the Mahabharata Secret: Alexander’s Quest is a mostly decent thriller read with some interesting historical trivia and biotechnology lingo. 

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The Innovators [Book Review]

Title: The Innovators

Author: Walter Isaacson (Twitter)

It was 1994. My parents had brought home a Dolphin home computer, which had just a keyboard and possibly a small CPU in there which could run LOGO. Having been exposed to a computer just a year earlier, the 9-year old me was fascinated to see how that piece of keyboard connected to the television and the way I could draw on the monitor. I tried to form my own form of a treasure hunt (without even knowing what the term meant) and was half-successful in that. Reading The Innovators by Walter Isaacson, the author of the best-selling autobiography on Steve Jobs, I was reminiscent of those times in addition to being in awe of each of these ‘inventions’ or ‘innovations’ presented in the book.

The book follows a mostly linear perspective to show how Digital Revolution evolved from the early half of the 19^th century to the second decade of the 21^st century. The title caption says ‘How a Group of Hackers, Geniuses and Geeks Created the Digital Revolution’ and indeed without a doubt one can say every one of these innovators was a genius in his own right. In addition to being a genius, the innovators fell into various categories including generous, eccentric, selfish, workaholics (for sure), childish, loners, and more. Above all, as Isaacson mentions in his book, they were all (mostly) wonderful collaborators. There are a couple of statements in the last chapter of the book that read: ‘People don’t invent things on the internet. They simply expand on an idea that already exists.’  The whole book is a wonderful piece of well-researched history on how the ideas from one time moved to another influencing innovations when people worked collaboratively.

From Lady Ada Lovelace to Charles Babbage to Shockley to Gordon Moore to Bill Gates to Steve Jobs to Larry Page to Evan Williams (I sure have missed many important names in between), the book gives a great insight into their background, what ticked them intellectually, their shortcomings, their contributions to the world the way it is today, and most importantly how each of them collaborated, despite their differences, with their peers and contemporaries.

The book also lists a variety of disputes including the ones on who took the credit for the invention of the transistor, the Apple and Microsoft issue on GUI based operating systems which was originally designed by Xerox, the patents for microchips, and many more. It is to be noted that despite a lot of the idea springing up at the same time, the population remembers the name of the person who was either most influential or the one that the media portrayed as its maker. It was news to me, an Electrical Engineer, that Shockley was not the only one to be responsible for the creation of a transistor.

As mentioned earlier, the book traverses a nice story-telling approach linearly with each of the key figures of the era that ushered in the digital revolution, and packs in a lot of detail. While the book on the whole is an easy read, there are a few short chapters in the middle on the video games and the initial discussion on internet which got a little too monotonous with too many inventors finding their name there. But the author quickly gets bad into the earlier mode and pens the most important chapter of them all: Software. This included a focus on Operating Systems and spoke about the two most important people in the history of Digital Revolution: Bill Gates and Steve Jobs.

The book culminates with two wonderful chapters on the web, one of which included the stories of Blogger, Google, Yahoo!, and Wikipedia, among others, and the other was aptly titled Ada Forever. This spoke about how computers despite all their power could not perform one function, exactly what Lady Ada Lovelace predicted two centuries earlier: using their own intelligence to make decisions.

Overall, The Innovators is a well–researched, well-detailed, and well-written piece of literature on the Digital Revolution. While the book does have its slow moments, it is a compelling piece of read in the overall of scheme of things. If you are an engineer or a computer scientist, you’ll be amazed to see how much you do not know about the inventors and their inventions. If you are not an engineer or a computer scientist, you will see how products that you use in your day-to-day life came about to be and perhaps you’ll stop equating engineering with information technology alone, and equate it to inventions too.