Showing posts with label Karthik. Show all posts
Showing posts with label Karthik. Show all posts

Feb 11, 2012

Thoughts on Ek Mein Aur Ekk Tu

Though largely incomplete, Ek Mein Aur Ekk Tu (EMAET) was definitely enjoyable for the most part. Having gone in with a ‘is this going to be a What Happens in Vegas rehash,’ I was pleasantly surprised. And more, when it instantly struck a chord, especially in its final moments. 

Borrowing its premise from multiple movies including Wake Up Sid, Udaan, 3 Idiots, Bommarillu and the likes, it sure would have been a bad decision if it retained its original title 'Short Term Shaadi'. The shaadi is the last thing in/from the movie that you'll probably remember. Not going into the wafer-thin premise, one can just say that the debutant director Shakun Batra follows his end message 'Live every moment, don't bother about the future' throughout the movie.

Kareena's Ri act closely follows her Geet character from Jab We Met and probably borderlines Konkana's Ayesha from Wake Up Sid. And no size-zero-ness (Thank god for that!) Imran’s Rahul Kapoor character is almost a replica of Madhavan's role in 3 Idiots. And what's with the obsession of every third movie's male lead character with the camera? It's not that photography is the only hobby for the metrosexual male.

Ratna Pathak Shah is in a completely different role from what she portrayed on Jaane Tu Ya Jaane Na where she played Imran's mother too. Boman Irani (Imran's father) has been in very similar roles and I so wish the filmmakers gave this immensely talented actor more diverse roles.

Amit Trivedi's tracks are quite lively, even though they closely resemble the types of tracks that Shankar Ehsaan Loy or Vishal Shekar usually provide for Karan Johar's productions. Aahatein by Shilpa Rao and Karthik, who makes his debut in an Amit Trivedi's soundtrack, is my pick.

If only Karan Johar’s Dharma Productions could get over their obsession of filming in a city in the US. Didn’t their own Wake Up Sid work very well being set in Bombay, oops Mumbai?

Image courtesy: http://media1.santabanta.com/full4/bollywood%20movies/ek%20main%20aur%20ekk%20tu/ek-main-aur-ekk-tu-2v.jpg

Jul 20, 2009

My favorite singers in Indian music - Part 2

Continuing with the list of singers whose voices ae special to me, next on the list is a immensely talented Shankar Mahadevan. With his 'Varaga Nadhi' (the first song of his that I listened to during on the Kargil benefit matches in 1999), 'Breathless' and 'Yenna Solla Pogirai', he surely captured the attention of the music lovers. As a part of the successful composition trio - Shankar-Ehsaan-Loy, he has been able to deliver classy-yet-popular albums like Kal Ho Na Ho, Kabhi Alvida Na Kehna, Salaam-E-Ishq, Bunty Aur Babli, Jhoom Barabar Jhoom etc. Coming to my favorites in his CV, Enna Solla Pogirai - Kandukonden, Varaga Nadhi - Sangamam, Vennilave (sad version) - Minsara Kanavu, Hey Goodbye Nanba - Aayitha Ezhuthu, Merke Merke - Kanda naal Mudhal, Kadhal Vandhucho - Hey Nee Romba Azhaga Irukkey, Uppu Karuvadu - Mudhalvan and among his compositions I love the Hindi soundtracks in the movies mentioned earlier.

Karthik is yet another singer whom was unravelled by A.R.Rahman and I have a dedicated blog for this energetic singer, whose discography is filled with great numbers like Uyire En Uyire - Totti Jeya (one of my favorite non-ARR number of all times), Anarkali - Kangalal Kaithu Sei, Nendikitten - Star, Ale Ale - Boys, Oru Ooril - Khakka Khakka and many more. (I have purposely left out many immensely popular ones just to reduce the length of the blog).

Among the classical singers who've made their presence felt in film music, it is an undeniable fact that Bombay Jayshree is one singer, who made justice to her unconventional voice (for movies). Though Vaseegara - Minnale shot her to fame, it was Narumughaiye - Iruvar which was her first film-song and it will be remembered as a evergreen classic by music enthusiasts. In her not-so-extensive discography, she has had numbers like Uyire En Uyire - Totti Jeya, Ondra Renda - Khakka Khakka, Suttum vizhi - Ghajini, Paartha Mudhal - Vettaiyadu Vilayadu, Uppu Kallu - Karupasamy Kuthagaidhaarar (my personal favorite), Yaaro manadhile - Dhaam Dhoom, Minnalgal Koothadum - Polladhavan, Thithithidave - Janaa etc. With her really unique voice, I am sure she has a fan following in Hindi, thanks to her only song - Zara Zara (Vaseegara in Hindi).

Shreya Ghoshal with her wafer-thin yet divine voice is one of the great discoveries in this decade. Her Jaadoo Hai Nasha Hai - Jism, made a otherwise normal song (due respect to the sultry Bips and John), an instant hit and made the careers of the two stars in the song along with Shreya's (though she sung in Devdas earlier). She has been a regular in the Kannada films with her excellent diction in Araluthiru and Ivanu gelayanalla in Mungaru Male and Male Ninthu - Milana. In Tamil, she has been successful as well and pretty decent in her diction. And she does sound good with Sonu Nigam, who could probably be the next singer-jodi.

Just that Sonu Nigam thinks he has sung enough and is not singing too many songs these days. He is a classic singer too with many songs including the unforgettable title track of Kal Ho Na Ho.

Among the other popular singers, I have like the following singers at one point of time or the other.
Kay Kay - Alvida (Life in a Metro), Pani Thuli (Kanda Naal Mudhal), Khuda Jaane - Bachna Ae Haseeno.
Sujata Bhattacharya aka Madhushree - Tehzeeb ghazals, Sandai Kozhi/Kabhi Neem Neem - Aayitha Ezhuthu/Yuva, Tumhen Aaj Maine Jo Dekha - Kuchh Naa Kaho, Marudhaani - Sakkarakatti, In Lamhon Ke Daaman - Jodhaa Akbar.
Harini - Nila Kaigrathu - Indira, Sudum Nilavu - Thambi, Theekuruvi - Kangalal Kaithu Sei, Enakena Yerkanavey - Parthen Rasithen.
Mahalakshmi Iyer - Bol Na Halke - JBJ, Kandukonden title track, Yaaro Yarodi - Alaipayuthey, Velli Malare - Jodi.


With due respect to S.P.Balasubramanyam, S. Janaki, K.S.Chitra, K.J.Yesudas, Alka Yagnik, Kavitha Krishnamurthy, Udit Narayan who have sung innumerable songs, it was a kind of monopoly with these singers in till the early 1990's. These singers have had their gems in the past and in current times as well. But, it is just the fact that they had far more opportunities than the current singers to showcase their talents.

Thanks to the numerous reality shows and talent hunts, there are new singers introduced in every movie. It's just that not everyone sustains for a long time. Among the recent singers the following captured by attention greatly. I might have just heard one of their songs ;)

Benny Dayal - A singer who was brought out best in Sakkarakatti, Jaane Tu Ya Jaane Na by A.R.Rahman with songs like Chinnamma, Taxi Taxi, Pappu Can't Dance, Nazren Milaana
Naresh Iyer - The guy who didn't win the Indian Idol but won the Indian hearts with Roobaroo - Rang De Basanti.
Sowmya Raoh - The voice that made Shauk Hai from Guru sound so special
Krish - An Harris Jayaraj import who sounded great with Bombay Jayshree in Yaaro manadhile -Dhaam Dhoom, Minnalgal Koothadum - Polladhavan.

Javed Ali - Arziyan - Delhi 6, Jash-ne-Bahaara - Jodhaa Akbar.
Saindhavi - Kelamal Kaiyile - Azhagiya Tamil Magan, Andankakka - Anniyan

For those who might doubt my music sense/appreciation skills (:P), this is in no way, a comprehensive list of my most-liked singers. It is probably a subset of that :)

Sep 24, 2007

Karthik - a phenomenon

Although the concert yesterday was a group concert with 4 singers famous in their own right, there was one person who single handedly made the show a romping success, and a fun-filled one.

It was Karthik - the voice behind many a song in Tamil, Telugu, and Hindi. His "Chori Pe Chori" in Saathiya caught the attention of the Hindi speaking crowd, but he's been pretty popular in Tamil singing one hit after another. right from his first song in Star - Nendhikitten to this first few noticed songs in Baba - Shakthi Kodu and Maya Maya to Uyire En Uyire, Anaarkali, Ale Ale, Oru Maalai and Kan Pesum Vaarthaigal, he's had a good collection of songs.

A young guy, who was purusing Chartered Accountancy before getting into film playback singing, has been in a lot of songs on my playlist. But his performance at Naach - 2007 in Phoenix on Sept 22nd was the one that caught my attention totally. He was too good with his songs and at the same time entertaining.

Usually music concerts turn out to be, singers singing one song after another and get away. But this was not the case, He interacted with the audience pretty well and knew the audience pulse. This was his great success/achievement which most singers don't get.

Here is the list of songs sung by Karthik in the concert. More details in the blog titled "Mahima Naach 2007" right below this blog.

Shakthi Kodu - Baba
Theradi Veethiyil - Run
Akale - Akale(Malayalam)
Maro Maro - Boys(Telugu)
karu Karu - Pachaikili Muthucharam
Boom Boom - Boys
Oru Maalai - Ghajini
Snehidhane/Chupke Se - Alaipayuthey/Saathiya
Ale Ale - Boys(Telugu)
Mithwa - Kabhi Alvida Na Kehna - Amazing one!
Nila Kaagirathu - Indira
Girl Friend - Boys
Kajre Re - Bunty Aur Bubly
Mustafa Mustafa - Kadhal Desam

The other singers were Sadhana Sargam, Unnikrishnan, and Ganga.

Mahima Naach 2007

With two of my favorite singers coming to perform in AZ, it was another concert that I would crave to attend. Plus an added bouns was that one of my friends Shilpa Sangam was performing a couple of dances for the songs. I just expected it to be an ordinary fare with few people turning up and the concert not being too entertaining, since the singers were either fairly new or not too popular to gather a big enough crowd like how Hariharan’s or SPB’s concerts do. But I was mistaken. The crowd was definitely less compared to the other concerts that I have been to. But, I would say it was a 4-hour stint that I would love to experience again and again. The entire atmosphere was filled with claps and whistles, and never have I seen it in close quarters like this for a music concert. Plus the dances were all very well choreographed and pretty lively. It never got repetitive. If at all there was monotony, I would say it was the number of Tamil songs that were sung. Agreed it was a predominantly Tamil crowd, but there were others too, and there should have been emphasis on other language songs too. However, I cannot complain, since I knew almost all songs and I was happy that I saw my favorite singers singing them, just for me! :)

It began with a medley (recorded) from Dhoom II and Jhoom Barabar Jhoom to introduce the Naach dance troupe.

Ganga started off with “Yeh Mera Dil” from the movie Don(new one). She was pretty good in this one and sounded fresh.

Unnikrishnan sang his popular “Roja Roja” from Kadhalar Dhinam, which had inputs from Ganga too.

My favorite Sadhana Sargam sang her ever-refreshing “Pehla Nasha” in the same spirits as sung 15 years ago. Unni Krishnan accompanied her on this one. It was a great duet. Sadhana made a mention that it was the first time she was pairing with Unni for a concert and a song. Sadhna Sargam then sung her popular track “Saath Samunder” from Vishwathma – a foot-tapping number. She ended the song with “Le Gayee” from Dil to Pagal Hai.

This was followed by a dance for Dola re Dola re from Devdas. This was played from a CD probably. My friend danced for this one.

Another of my favorites Karthik, (the man behind “Ale Ale” and “Maya Maya”) came to the stage. He mentioned it was his first tour to the US and he was getting nervous and would sing one song and then begin talking. The song he sung was apt for him, “Shakthi Kodu” from Baba, and it gave him enough Shakthi to engage us till the very end of the concert. He then sung his song form Run – “Theradi Veethiyil”. He made it pretty interactive with the inputs from the crowd itself. He sings ‘Theradi Veethiyil Devathai Vandhaal’ and the crowd would complete the line. This went on and we all thoroughly enjoyed it.

Unni Krishnan and Ganga sung the classic “Narumughaiye” from Iruvar. Ganga couldn’t match upto Bombay Jayshree’s rendition though. There was a Bharathnatyam dance with this song.

A person by name Prabhu, commonly called Bay Area SPB sang the Telugu version of “Vaaji Vaaji Sivaji” from Sivaji. Ganga accompanied him on this one. What Karthik calls his “fluke” Malayalam song is “Akale” from the movie by the same name and he sung this next.

My favorite song “Konjum Mainakale” from Kandukonden Kandukonden was rendered next by Sadhana Sargam pretty well and as I mentioned in one of my earlier posts, she has improved a lot in her Tamil rendition. She flawed though, in singing – En Peyarai Solliye Kuyilgal Koovattum as En Peyarai Solliye Paruvam Marattum, which still made sense, I guess.

Ganga sang the song “Barso Re” from Guru, and my friend danced for this one too.

This was followed by “Maro Maro” from Boys(Telugu), sung by Unnikrishnan, Ganga and Karthik, who said he had to be pardoned if he introduced his own lyrics to his Telugu rendition. The dance for this one deserves a special mention since the dancers had a chair on which they stood and danced at times.

Karthik then sung the current favorite “Karu Karu Vizhigalal” from Pachaikili Muthucharam. This had a good dance too.

Ganga then sang “Maargazhi Thingal” from Sangamam and Unnikrrishnan later joined in for this song. The song ended with a long “alaap” by Unnikrishnan which was really good.

Bay area SPB and Ganga sang Sivaji title song “Ballelakka”, next followed by an excellent rendition of “Banno Rani” from 1947:Earth by Sadhana Sargam. The sole Kannada song in the concert was by Bay area SPB and was Thai Thai Bangari a song of Dr. Rajkumar.

“Boom Boom”, a peppy number from Boys was brought alive by Karthik and Sadhana Sargam. Karthik did a good job with this one, and for once I got the right pronunciation of the lyrics of this song, otherwise butchered by Adnan Sami(I don’t blame him either). This had an interesting dance too.

Being a die-hard fan of the Hariharan-Sadhana pair, I felt pretty happy to listen to the rendition of “Chanda Re” from Sapnay, (aka Vennilave in Minsara Kanavu), by Unni Krishnan and Sadhana Sargam. It is one of Sadhana’s best songs and will remain to be.

The first song, a national-award winning one, something that brought him to film playback singing – “Ennavale” from Kadhalan was Unnikrishnan’s next.

Karthik then acknowledged Harris Jayaraj that he gave him some of his best songs and sang “Oru Maalai Ila Veyil Neram” from Ghajini.

Unnikrishnan and Ganga sang a song from the Tamil movie Dhil – “Un Samayal Araiyil” which apparently got him and Sujatha the best playback singers award from the Tamilnadu government.

Next was the one I was waiting for. Seven years ago, I first ever heard it with the Bru ads on the television. Also, the crowd cheered “Snehidhane” and Sadhana Sargam said ‘Woh hi aa raha hain’. Karthik began with the ‘Netru Munniravil Unnil’ and I felt simply out of the world. Sadhana Sargam began with “Chupke Se”, which disappointed me, since I wanted to listen to the Tamil song. But she didn’t completely disappoint me either. She did have bits of the Tamil song in between. The dance for this was very well choreographed too.

The song with the time-freeze technology in its video, “Ale Ale” from Boys was the next one sung by Karthik and Ganga. Karthik as usual was at his best. He said this song was to be recorded on a day when he had to leave to Singapore with his flight at 1 or 3 am. Apparently the song was not ready even at 7 pm and the recording began at 10 pm. And the lyricist Kapilan and director Shankar wrote bits and pieces of the song and Karthik and ARR would record it in gaps. Finally when he heard the end-product he was pretty happy. This is one of the beautiful songs visually too with the time-freeze technology(frst seen in Matrix).

“Mithwa” from Kabhi Alvida Na Kehna was the next one by Karthik and he said he simply loved this song and this was his first attempt at it. It was a reallt soothing number.

The next song was “Haira Haira Hai Rabba” from Jeans. Unnikrishnan and Karthik came to the audience to see which side of the audience was louder, which was a nice interactive thing. The song was a Telugu/Tamil mix.

Then was a short Medley with “alaaps” by Sadhana Sargam, Unnikrishnan and Karthik followed by a few numbers, Karthik was on the piano initially. Sadhana Sargam sang ‘Udhaya Udhaya Ularalile’ from Udhaya. Unni Krishnan – Katre En Vaasal from Rhythm, Ganga – Malargale from Love Birds, Karthik – Nila Kaagirathu from Indira. Then all of them sung the Kal Ho Na Ho title track, which wasn’t that pleasant to listen with Unni’s classical mix in it.

We thought this was the end of the concert, but it was not.

Next was Karthik’s number ‘Girl Friend’ from Boys. I have never liked this song(atleast in 2003), but after listening to it this time by Karthik himself, I figured out, it is indeed a fun song.
All the four of them then sung the famous ‘Kajra Re’ from Bunty Aur Babli. IT was a fun number, but there was no dance for this one…. wait…. the crowd had already begun to dance to the tune.

Unnikrishnan then rendered Uyirin Uyire from Khakha Khakha. He was out of sync initially and didn’t do a good job with the song.

Finally all the four of them sung – Mustafa Mustafa from Kadhal Desam. Karthik was really good on this one.

It was a refreshing concert for me, and most of the number were the ones on my playlist and it was different to listen to it real-time with the singers singing it. However, I would have preferred more songs form Sadhana Sargam and Karthik duo – they do have ‘Manja Kattu Maina’ and ‘Kadhal Vettukili’(not so popular). Karthik and Sadhana could have sung ‘Aao Naa’ and ‘Azhage Sugama’ pretty effectively too. However I cannot complain since it was indeed a lot of songs in the concert.

I would have loved to meet them backstage and speak to Karthik and Sadhana Sargam. However that didn’t happen. But, there is surely a next time. If Karthik is going to be in the US next for a concert, I would definitely be there. Same with my trip to India, I would want to attend one of his concerts for sure.

These concerts are full of excitement, enthusiasm, good crowd spirit and good entertainment value. I missed the ARR concerts this time, but that will never happen the next time ARR is in the US.