Naan Kadavul is one of the movies that I might not watch ever in my lifetime, though I want to. Bala's movies are something that I so want to watch, since I know they are quite different from the run-of-the-mill movies. I was kind of scarred by the ending of Sethu (which was the only scene I saw in the movie), skipped Nandha (thanks to the trailers shown by Sun TV), and saw Pithamagan first half featuring Surya and Laila's comedy. I probably would have watched NK, if Ajith starred in it, since I was a loyal Ajith fan till a while ago. Unfortunately that didn't happen and Arya acted in it getting rave reviews.
The Maestro reworked on a few of his earlier scores and created magic with his music in this movie. One of the songs that will linger on in your mind for a long time is this song 'Amma Unn Pillai.'
This song starts with a gruffy Lata-Mangeshkar-kind-voice, and sails smoothly only to unravel that Sadhana Sargam is singing this song. Reworked from one of his songs in the early 80's Ilayaraja makes it very contemporary and probably apt for the movie.
The violin piece before the first charanam is a classic composition, and the interlude before the second charanam reminds you of the really good 1980's music. The interlude before the third charanam is something that you would have definitely heard in the movie climaxes, but the way the Maestro mixes it into this song is really superb. Hopefully this is picturized on screen well. That way Bala picturized a lot of his songs so very well including: Malaiyil Vethanai in Sethu, Mun Paniya in Nandha and Elangathu in Pithamagan.
One of the very few songs with three charanams these days had wonderful lines like --- 'Vidhi enum Ezhuthellam Vizhi neeril Azhiyum Or Neram,' and 'Jenmangalil Paavam Pen Jenmame, Bandhangal Endru Sonnal Thunbangale.' The latter one is true!
Not a typical song of Sadhana, this needed a lot of emphasis on the words, which she has not mis-pronounced the words, which is good (including the hard 'zh' in 'Vidhi enum Ezhuthellam Vizhi neeril Azhiyum Or Neram' ). Though she gets a little screechy in the high pitches, she maintains the sober tone of the song. I would'nt call it her best rendition, but it surely is one rendition, she will definitely be proud of. From a gruffy voice in the first line to a sweeter voice in the charanams, she sails through the songs very well. And she definitely puts in a lot of emotions into this song.
In a time of really past paced songs with non-sensical or non-decipherable lyrics this is sure to stand out :)
As if blogging were a height of 'vettiness' (jobless-ness), this is the place I have my sensible non-sense put in.
Aug 31, 2009
Aug 16, 2009
Reviews - Love Aaj Kal and Kaminey
Reviews for the two Hindi movies I watched in the theatre after a really long time. And I was looking forward to Kaminey for a long time!
Love Aaj Kal – A perfect example of how being 'practical' can unnecessarily complicate things. I wouldn't say it was a perfect movie or liked it entirely. The dialogues were one of the best in recent times. But the premise was a realistic one and something that everyone in the age group 20-30 faces, after all we are Mango people (Aam janta :P). Though, I wouldn't call it a tale of not-being-able-to-get-over-someone, that was what happened finally. The main characters were utterly selfish and this is true in today's life. The Punjabi kudi Harleen, actually a Brazilian model was the surprise package of the movie. Saif's Punjabi accent was something he could have improved on. Deepika Padukone was her usual wooden frame - looking good, but no acting skills to speak about. Her dialog on the second day of her wedding to Rahul Khanna- 'I have done a mistake, please let me go see Saif now, I will come back and apologise later' was enough to crack the entire audience. Pritam for once had a track that was not taken off any source. Loved the Twist song and the Rahat Fateh Ali Khan song. Rishi Kapoor didn't have a great role in the movie, but the way the second story was interwoven was really interesting. It was a good watch with interesting dialogues and decent touch of reality.
Kaminey – A movie you'll totally love or totally hate. Initially, I thought I was going to fall in the latter category, but surprisingly no! It was not an extra-ordinary tale, but was a dark (literally and on-screen) tale with each of the characters being selfish (yet again). The new style of story telling will surely will be a tutorial for a few film-makers. Fhahid.... oops Shahid Kapoor had the role of his career in this movie and executed it pretty well, both as Charlie and Guddu. As the Guddu character, he is shown as a simple NGO worker, and is pitted against Priyanka. Priyanka is shown as a talkative Maharashtrian girl, and had a few good lines for herself, though her role was limited on screen. Charlie is the 'F' for 'S' guy, with big dreams and trying to take a shorter shortcut to success. His characterization was near-perfect, both as a dutiful brother (son – as we are later told) and as a ruffian-in-the-making (is that word right?). Amol Gupte (the partial director of Taare Zameen Par) is in a nice 'Raj Thackeray' role. The movie subtly touches upon the 'Jai Maharashtra' issue, in addition to HIV prevention (Fatak songs) and drug peddlary. Though violent, it was not shown on screen graphically. Music as always in any Vishal Bharadwaj movie was top-notch. And in the end credits, the Mohit Chauhan song that plays should have found a place in the movie (in fact some romance shown in those credits could have been placed in between the movie.) The Dhan Te Nan song, the highlight of the movie found its place in the right portions in the movie and was used as energetically as it was sung by Vishal Dhadlani and Sukhwinder Singh. And I wondered why it earned an A certificate in India, and realized it, thanks to the 'intense' kissing scene between Piggy Chops and Shahid Kapoor. That one scene, though shot aesthetically, was enough for the movie to get an R rating. The dialogues were interesting yet again, and the timing sense was excellent. Overall an interesting watch, with a good time-pass element.
Love Aaj Kal – A perfect example of how being 'practical' can unnecessarily complicate things. I wouldn't say it was a perfect movie or liked it entirely. The dialogues were one of the best in recent times. But the premise was a realistic one and something that everyone in the age group 20-30 faces, after all we are Mango people (Aam janta :P). Though, I wouldn't call it a tale of not-being-able-to-get-over-someone, that was what happened finally. The main characters were utterly selfish and this is true in today's life. The Punjabi kudi Harleen, actually a Brazilian model was the surprise package of the movie. Saif's Punjabi accent was something he could have improved on. Deepika Padukone was her usual wooden frame - looking good, but no acting skills to speak about. Her dialog on the second day of her wedding to Rahul Khanna- 'I have done a mistake, please let me go see Saif now, I will come back and apologise later' was enough to crack the entire audience. Pritam for once had a track that was not taken off any source. Loved the Twist song and the Rahat Fateh Ali Khan song. Rishi Kapoor didn't have a great role in the movie, but the way the second story was interwoven was really interesting. It was a good watch with interesting dialogues and decent touch of reality.
Kaminey – A movie you'll totally love or totally hate. Initially, I thought I was going to fall in the latter category, but surprisingly no! It was not an extra-ordinary tale, but was a dark (literally and on-screen) tale with each of the characters being selfish (yet again). The new style of story telling will surely will be a tutorial for a few film-makers. Fhahid.... oops Shahid Kapoor had the role of his career in this movie and executed it pretty well, both as Charlie and Guddu. As the Guddu character, he is shown as a simple NGO worker, and is pitted against Priyanka. Priyanka is shown as a talkative Maharashtrian girl, and had a few good lines for herself, though her role was limited on screen. Charlie is the 'F' for 'S' guy, with big dreams and trying to take a shorter shortcut to success. His characterization was near-perfect, both as a dutiful brother (son – as we are later told) and as a ruffian-in-the-making (is that word right?). Amol Gupte (the partial director of Taare Zameen Par) is in a nice 'Raj Thackeray' role. The movie subtly touches upon the 'Jai Maharashtra' issue, in addition to HIV prevention (Fatak songs) and drug peddlary. Though violent, it was not shown on screen graphically. Music as always in any Vishal Bharadwaj movie was top-notch. And in the end credits, the Mohit Chauhan song that plays should have found a place in the movie (in fact some romance shown in those credits could have been placed in between the movie.) The Dhan Te Nan song, the highlight of the movie found its place in the right portions in the movie and was used as energetically as it was sung by Vishal Dhadlani and Sukhwinder Singh. And I wondered why it earned an A certificate in India, and realized it, thanks to the 'intense' kissing scene between Piggy Chops and Shahid Kapoor. That one scene, though shot aesthetically, was enough for the movie to get an R rating. The dialogues were interesting yet again, and the timing sense was excellent. Overall an interesting watch, with a good time-pass element.
Jul 20, 2009
My favorite singers in Indian music - Part 2
Continuing with the list of singers whose voices ae special to me, next on the list is a immensely talented Shankar Mahadevan. With his 'Varaga Nadhi' (the first song of his that I listened to during on the Kargil benefit matches in 1999), 'Breathless' and 'Yenna Solla Pogirai', he surely captured the attention of the music lovers. As a part of the successful composition trio - Shankar-Ehsaan-Loy, he has been able to deliver classy-yet-popular albums like Kal Ho Na Ho, Kabhi Alvida Na Kehna, Salaam-E-Ishq, Bunty Aur Babli, Jhoom Barabar Jhoom etc. Coming to my favorites in his CV, Enna Solla Pogirai - Kandukonden, Varaga Nadhi - Sangamam, Vennilave (sad version) - Minsara Kanavu, Hey Goodbye Nanba - Aayitha Ezhuthu, Merke Merke - Kanda naal Mudhal, Kadhal Vandhucho - Hey Nee Romba Azhaga Irukkey, Uppu Karuvadu - Mudhalvan and among his compositions I love the Hindi soundtracks in the movies mentioned earlier.
Karthik is yet another singer whom was unravelled by A.R.Rahman and I have a dedicated blog for this energetic singer, whose discography is filled with great numbers like Uyire En Uyire - Totti Jeya (one of my favorite non-ARR number of all times), Anarkali - Kangalal Kaithu Sei, Nendikitten - Star, Ale Ale - Boys, Oru Ooril - Khakka Khakka and many more. (I have purposely left out many immensely popular ones just to reduce the length of the blog).
Among the classical singers who've made their presence felt in film music, it is an undeniable fact that Bombay Jayshree is one singer, who made justice to her unconventional voice (for movies). Though Vaseegara - Minnale shot her to fame, it was Narumughaiye - Iruvar which was her first film-song and it will be remembered as a evergreen classic by music enthusiasts. In her not-so-extensive discography, she has had numbers like Uyire En Uyire - Totti Jeya, Ondra Renda - Khakka Khakka, Suttum vizhi - Ghajini, Paartha Mudhal - Vettaiyadu Vilayadu, Uppu Kallu - Karupasamy Kuthagaidhaarar (my personal favorite), Yaaro manadhile - Dhaam Dhoom, Minnalgal Koothadum - Polladhavan, Thithithidave - Janaa etc. With her really unique voice, I am sure she has a fan following in Hindi, thanks to her only song - Zara Zara (Vaseegara in Hindi).
Shreya Ghoshal with her wafer-thin yet divine voice is one of the great discoveries in this decade. Her Jaadoo Hai Nasha Hai - Jism, made a otherwise normal song (due respect to the sultry Bips and John), an instant hit and made the careers of the two stars in the song along with Shreya's (though she sung in Devdas earlier). She has been a regular in the Kannada films with her excellent diction in Araluthiru and Ivanu gelayanalla in Mungaru Male and Male Ninthu - Milana. In Tamil, she has been successful as well and pretty decent in her diction. And she does sound good with Sonu Nigam, who could probably be the next singer-jodi.
Just that Sonu Nigam thinks he has sung enough and is not singing too many songs these days. He is a classic singer too with many songs including the unforgettable title track of Kal Ho Na Ho.
Among the other popular singers, I have like the following singers at one point of time or the other.
Kay Kay - Alvida (Life in a Metro), Pani Thuli (Kanda Naal Mudhal), Khuda Jaane - Bachna Ae Haseeno.
Sujata Bhattacharya aka Madhushree - Tehzeeb ghazals, Sandai Kozhi/Kabhi Neem Neem - Aayitha Ezhuthu/Yuva, Tumhen Aaj Maine Jo Dekha - Kuchh Naa Kaho, Marudhaani - Sakkarakatti, In Lamhon Ke Daaman - Jodhaa Akbar.
Harini - Nila Kaigrathu - Indira, Sudum Nilavu - Thambi, Theekuruvi - Kangalal Kaithu Sei, Enakena Yerkanavey - Parthen Rasithen.
Mahalakshmi Iyer - Bol Na Halke - JBJ, Kandukonden title track, Yaaro Yarodi - Alaipayuthey, Velli Malare - Jodi.
With due respect to S.P.Balasubramanyam, S. Janaki, K.S.Chitra, K.J.Yesudas, Alka Yagnik, Kavitha Krishnamurthy, Udit Narayan who have sung innumerable songs, it was a kind of monopoly with these singers in till the early 1990's. These singers have had their gems in the past and in current times as well. But, it is just the fact that they had far more opportunities than the current singers to showcase their talents.
Thanks to the numerous reality shows and talent hunts, there are new singers introduced in every movie. It's just that not everyone sustains for a long time. Among the recent singers the following captured by attention greatly. I might have just heard one of their songs ;)
Benny Dayal - A singer who was brought out best in Sakkarakatti, Jaane Tu Ya Jaane Na by A.R.Rahman with songs like Chinnamma, Taxi Taxi, Pappu Can't Dance, Nazren Milaana
Naresh Iyer - The guy who didn't win the Indian Idol but won the Indian hearts with Roobaroo - Rang De Basanti.
Sowmya Raoh - The voice that made Shauk Hai from Guru sound so special
Krish - An Harris Jayaraj import who sounded great with Bombay Jayshree in Yaaro manadhile -Dhaam Dhoom, Minnalgal Koothadum - Polladhavan.
Javed Ali - Arziyan - Delhi 6, Jash-ne-Bahaara - Jodhaa Akbar.
Saindhavi - Kelamal Kaiyile - Azhagiya Tamil Magan, Andankakka - Anniyan
For those who might doubt my music sense/appreciation skills (:P), this is in no way, a comprehensive list of my most-liked singers. It is probably a subset of that :)
Karthik is yet another singer whom was unravelled by A.R.Rahman and I have a dedicated blog for this energetic singer, whose discography is filled with great numbers like Uyire En Uyire - Totti Jeya (one of my favorite non-ARR number of all times), Anarkali - Kangalal Kaithu Sei, Nendikitten - Star, Ale Ale - Boys, Oru Ooril - Khakka Khakka and many more. (I have purposely left out many immensely popular ones just to reduce the length of the blog).
Among the classical singers who've made their presence felt in film music, it is an undeniable fact that Bombay Jayshree is one singer, who made justice to her unconventional voice (for movies). Though Vaseegara - Minnale shot her to fame, it was Narumughaiye - Iruvar which was her first film-song and it will be remembered as a evergreen classic by music enthusiasts. In her not-so-extensive discography, she has had numbers like Uyire En Uyire - Totti Jeya, Ondra Renda - Khakka Khakka, Suttum vizhi - Ghajini, Paartha Mudhal - Vettaiyadu Vilayadu, Uppu Kallu - Karupasamy Kuthagaidhaarar (my personal favorite), Yaaro manadhile - Dhaam Dhoom, Minnalgal Koothadum - Polladhavan, Thithithidave - Janaa etc. With her really unique voice, I am sure she has a fan following in Hindi, thanks to her only song - Zara Zara (Vaseegara in Hindi).
Shreya Ghoshal with her wafer-thin yet divine voice is one of the great discoveries in this decade. Her Jaadoo Hai Nasha Hai - Jism, made a otherwise normal song (due respect to the sultry Bips and John), an instant hit and made the careers of the two stars in the song along with Shreya's (though she sung in Devdas earlier). She has been a regular in the Kannada films with her excellent diction in Araluthiru and Ivanu gelayanalla in Mungaru Male and Male Ninthu - Milana. In Tamil, she has been successful as well and pretty decent in her diction. And she does sound good with Sonu Nigam, who could probably be the next singer-jodi.
Just that Sonu Nigam thinks he has sung enough and is not singing too many songs these days. He is a classic singer too with many songs including the unforgettable title track of Kal Ho Na Ho.
Among the other popular singers, I have like the following singers at one point of time or the other.
Kay Kay - Alvida (Life in a Metro), Pani Thuli (Kanda Naal Mudhal), Khuda Jaane - Bachna Ae Haseeno.
Sujata Bhattacharya aka Madhushree - Tehzeeb ghazals, Sandai Kozhi/Kabhi Neem Neem - Aayitha Ezhuthu/Yuva, Tumhen Aaj Maine Jo Dekha - Kuchh Naa Kaho, Marudhaani - Sakkarakatti, In Lamhon Ke Daaman - Jodhaa Akbar.
Harini - Nila Kaigrathu - Indira, Sudum Nilavu - Thambi, Theekuruvi - Kangalal Kaithu Sei, Enakena Yerkanavey - Parthen Rasithen.
Mahalakshmi Iyer - Bol Na Halke - JBJ, Kandukonden title track, Yaaro Yarodi - Alaipayuthey, Velli Malare - Jodi.
With due respect to S.P.Balasubramanyam, S. Janaki, K.S.Chitra, K.J.Yesudas, Alka Yagnik, Kavitha Krishnamurthy, Udit Narayan who have sung innumerable songs, it was a kind of monopoly with these singers in till the early 1990's. These singers have had their gems in the past and in current times as well. But, it is just the fact that they had far more opportunities than the current singers to showcase their talents.
Thanks to the numerous reality shows and talent hunts, there are new singers introduced in every movie. It's just that not everyone sustains for a long time. Among the recent singers the following captured by attention greatly. I might have just heard one of their songs ;)
Benny Dayal - A singer who was brought out best in Sakkarakatti, Jaane Tu Ya Jaane Na by A.R.Rahman with songs like Chinnamma, Taxi Taxi, Pappu Can't Dance, Nazren Milaana
Naresh Iyer - The guy who didn't win the Indian Idol but won the Indian hearts with Roobaroo - Rang De Basanti.
Sowmya Raoh - The voice that made Shauk Hai from Guru sound so special
Krish - An Harris Jayaraj import who sounded great with Bombay Jayshree in Yaaro manadhile -Dhaam Dhoom, Minnalgal Koothadum - Polladhavan.
Javed Ali - Arziyan - Delhi 6, Jash-ne-Bahaara - Jodhaa Akbar.
Saindhavi - Kelamal Kaiyile - Azhagiya Tamil Magan, Andankakka - Anniyan
For those who might doubt my music sense/appreciation skills (:P), this is in no way, a comprehensive list of my most-liked singers. It is probably a subset of that :)
Jul 12, 2009
My favorite singers and their songs in Indian film music - Part I
Till early 2000, I paid no attention to the music credits of an album/movie. I really didn't realize the importance of the singers contribution to the song. This could partially be because of my lack of exposure to music apart from Ilayaraja songs which (until then) featured the usual SPB, KJY, S. Janaki and Chitra. A.R. Rahman did introduce new singers in every album of his, but as I said I was not exposed too much to his songs.
Alaipayuthey's music in March/April 2000 made a big difference to my ears. The Bru coffee commercial with 'Snehidhane' in the backdrop made me wonder who sung this song. It surely was not Chitra, Sujatha, Kavitha Krishnamoorthi, Nithyashree or Harini (the ones that sung a lot of songs then). It surely was a North Indian singer, but not Alka Yagnik. I got the cassette of Alaipayuthey along with Kandukonden (both of them musical wonders) and went over the cover and it was a singer named Sadhana Sargam. I was like - 'Have I heard her before?, Why hasn't she been singing too many songs?.' Right after that I saw she had Konjum Mainakkale in Kandukonden. I started liking her a lot after 'Anbae Idhu Nijamthana' - which was a totally overlooked song in the album Rhythm. The instrumentation in the song is near perfect.
It was then that I started following the singers and I can proudly say - I can recognise most of the singers in songs (atleast until 2005 or 2006, now there are lot new singers).
Sadhana Sargam - She was, is and shall remain one of my favorite singers in Indian music. Her tamil pronunciation may have not be good during her initial years, but for a North Indian - she surely sings better off now with the subtleties in zh, la, and La these days. And probably, I didn't really understand the lyrics of the songs. She won a national award for rendering a Tamil song 'Pattu Solli', I felt it was not her best and definitely had better songs before that and after that. A few of her songs (actually many of them) which are my favorites (in no specific order) can be found at the end of this blog (I removed it from here since it was a tad too long list :P ):
In most of the songs, Sadhana was accompanied by Hariharan, who happens to be another of my favorite singers. Hariharan, introduced to the regular people like me by A.R.Rahman in Roja is probably one singer who does a lot of improvisations on stage and never will his rendition on stage sound like the actual one. With a crispy voice, he had gems like Pachai Nirame (Alaipayuthey), Vennilave, Poi Solla Koodathu Kaadali (Run), Uyire (Bombay), Ay Hairathey (Guru), Thottal Poo Malarum (New), Irava Pagala (Poovellam Kaettupar), Kandukonden, Nila Kaigiradhu (Indira), Nahin Samne (Taal), Yamuna Theeram (Anand) and many more. I was lucky enough to watch him perform live in Phoenix and also had a picture taken with him.
In 2002, I awaited for the movie that stirred up emotions - Kannathil Muthamittal. The title track sung by Chinmayi and Jayachandran was simply spectacular, and the versatile Chinmayi found a fan in me. Her song for the TV soap - Anbulla Snehithiye is probably one of the very few title tracks of soaps that was remembered for its softness and sereneness (as opposed to the loud ones). Chinmayi has evolved as a successful film singer, RJ, TV anchor, dubbing artiste apart from the classical singer and dancer she originally is. A few of her songs that are my favorites - Tere Bina (Guru), I Miss you da (Sakkarakatti), Oru Nanban Irundhal (Ennake 20 Unakku 18), Santipomma (E20U18), Oru Deivam Thantha (Kannathil), Sahana Saaral (Sivaji), En Uyir Thozhiye (Kangalal Kaidhu Sei), Enna Ithu (Nala Damayanthi), Enadhuyirae (Bheema). As a dubbing artiste she did a real good job in Jillunu Oru Kadhal, amongst many others. She also was a good anchor on the show Airtel Super singer.
Speaking of Super Singer, the three judges on the show - Unnikrishnan, Sujatha Mohan and Sreenivas have been my favorite singers at some point of time. Unnikrishnan had gems in Ennavale (Kadalan - his very first song), Narumughaye (Iruvar), Kuliruthu (Taj Mahal), Sudum Nilavu (Thambi), Verenna (Minnale), Poovukkul (Jeans), Kaatre En Vaasal (Rhythm), Thirakadha (En Swaasa Katre), O Vennila (Kadhal Desam), Thendrale (Kadhal Desam), Veesum Katrukku (Ullasam), Nejodu Kalanthidu (Kadhal Konden).
Srinivas - the melody breaker 'Netru Munniravil Unnil' in Snehidhane is probably the only male singer with such a soft voice who made it big by singing select songs that provided justice to him and the song. His 'Mangalyam thanthunanena' will probably have taught most people (including me) the unforgettable wedding sthotram. 'Kaisi Hai Yeh Rut' from Dil Chahta Hai is one of the unforgettable melodies in Hindi cinema. Add Azhage Sugama (Paarthale Paravasam), Ennai Panthada (Ullam Ketkume), Kadhal Solvadhu (Badri), Chotta Chotta (Taj Mahal), Alangatti Mazhai (Thenali) to the list of my favorite songs. His one minute song - Mouname Unnidam from Mozhi was a good one and and fitted well in the movie too. The fast-paced Asathura in E20U18 was yet another song by this soft-spoken singer.
Sujatha mesmerized everyone in Netru Illada Maatram from Pudhya Mugham. Re-discovered by A.R.Rahman in Pudhu Vellai Mazhai (Roja), Sujatha was an integral part of many good albums that came out in the late 90's and early 2000's. Poo Pookkum Osai (Minsara Kanavu), Athisayam (Jeans), En Veettu Thottathil (Gentleman), Nejodu Kalanthidu (Kadhal Konden), Aasai Aasai (Dhool), Ishq Bina (Taal), Paadava (Little John), are few of my favorite songs of this ever-smiling singer whose daughter is beginning to make waves in the music world.
To be continued.... with many other singers and their songs.
Sadhana Sargam favorites:
Vennilave (Chanda Re) - Minsara Kanavu (Sapnay)
Chudithar Anindhu - Poovellam Kaettupar
Snehidhane (Chupke Se) - Alaipayuthey (Saathiya)
Anbae Idhu - Rhythm
Anbae Sugama and Azhage Sugama - Paarthale Paravasam
Dil Mera Ek Tara - 16 December
Pehla Nasha - Jo Jeeta Wohi Sikander
Akkam Pakkam - Kireedam
Swaasame - Thenali
Amma Un Pillai - Naan Kadavul
Udhaya Udhaya Ularaile - Udhaya
Naina Neer Bahai, Piya Ho, Aayo Re - Water
Poo Vaasam - Anbe Sivam
Merke Merke - Kanda Naal Mudhal
Ragasiyamai and Un Perai Sonnale - Dum Dum Dum
Aao Naa - Kyun Ho Gaya Naa
Kitni Baatein - Lakshya
Kuch Naa Kaho - Kuch Naa Kaho
Gup Chup Baatein - Love You Hamesha (unreleased)
Ahista Ahista - Swades
Pani Katre - Run
Manmadhanae - Manmadhan
Kaadu Thiranthe - Vasool Raja MBBS
Kadhal Vandhadhum - Poovellam Un Vaasam
Kadhal Vettukili - Parasuram
Enadhuyire - Bheema
Kalaiyil Dhinamum - New
Thigu Thigu - Ah Aah
And I guess this list got a little too long :) .
Alaipayuthey's music in March/April 2000 made a big difference to my ears. The Bru coffee commercial with 'Snehidhane' in the backdrop made me wonder who sung this song. It surely was not Chitra, Sujatha, Kavitha Krishnamoorthi, Nithyashree or Harini (the ones that sung a lot of songs then). It surely was a North Indian singer, but not Alka Yagnik. I got the cassette of Alaipayuthey along with Kandukonden (both of them musical wonders) and went over the cover and it was a singer named Sadhana Sargam. I was like - 'Have I heard her before?, Why hasn't she been singing too many songs?.' Right after that I saw she had Konjum Mainakkale in Kandukonden. I started liking her a lot after 'Anbae Idhu Nijamthana' - which was a totally overlooked song in the album Rhythm. The instrumentation in the song is near perfect.
It was then that I started following the singers and I can proudly say - I can recognise most of the singers in songs (atleast until 2005 or 2006, now there are lot new singers).
Sadhana Sargam - She was, is and shall remain one of my favorite singers in Indian music. Her tamil pronunciation may have not be good during her initial years, but for a North Indian - she surely sings better off now with the subtleties in zh, la, and La these days. And probably, I didn't really understand the lyrics of the songs. She won a national award for rendering a Tamil song 'Pattu Solli', I felt it was not her best and definitely had better songs before that and after that. A few of her songs (actually many of them) which are my favorites (in no specific order) can be found at the end of this blog (I removed it from here since it was a tad too long list :P ):
In most of the songs, Sadhana was accompanied by Hariharan, who happens to be another of my favorite singers. Hariharan, introduced to the regular people like me by A.R.Rahman in Roja is probably one singer who does a lot of improvisations on stage and never will his rendition on stage sound like the actual one. With a crispy voice, he had gems like Pachai Nirame (Alaipayuthey), Vennilave, Poi Solla Koodathu Kaadali (Run), Uyire (Bombay), Ay Hairathey (Guru), Thottal Poo Malarum (New), Irava Pagala (Poovellam Kaettupar), Kandukonden, Nila Kaigiradhu (Indira), Nahin Samne (Taal), Yamuna Theeram (Anand) and many more. I was lucky enough to watch him perform live in Phoenix and also had a picture taken with him.
In 2002, I awaited for the movie that stirred up emotions - Kannathil Muthamittal. The title track sung by Chinmayi and Jayachandran was simply spectacular, and the versatile Chinmayi found a fan in me. Her song for the TV soap - Anbulla Snehithiye is probably one of the very few title tracks of soaps that was remembered for its softness and sereneness (as opposed to the loud ones). Chinmayi has evolved as a successful film singer, RJ, TV anchor, dubbing artiste apart from the classical singer and dancer she originally is. A few of her songs that are my favorites - Tere Bina (Guru), I Miss you da (Sakkarakatti), Oru Nanban Irundhal (Ennake 20 Unakku 18), Santipomma (E20U18), Oru Deivam Thantha (Kannathil), Sahana Saaral (Sivaji), En Uyir Thozhiye (Kangalal Kaidhu Sei), Enna Ithu (Nala Damayanthi), Enadhuyirae (Bheema). As a dubbing artiste she did a real good job in Jillunu Oru Kadhal, amongst many others. She also was a good anchor on the show Airtel Super singer.
Speaking of Super Singer, the three judges on the show - Unnikrishnan, Sujatha Mohan and Sreenivas have been my favorite singers at some point of time. Unnikrishnan had gems in Ennavale (Kadalan - his very first song), Narumughaye (Iruvar), Kuliruthu (Taj Mahal), Sudum Nilavu (Thambi), Verenna (Minnale), Poovukkul (Jeans), Kaatre En Vaasal (Rhythm), Thirakadha (En Swaasa Katre), O Vennila (Kadhal Desam), Thendrale (Kadhal Desam), Veesum Katrukku (Ullasam), Nejodu Kalanthidu (Kadhal Konden).
Srinivas - the melody breaker 'Netru Munniravil Unnil' in Snehidhane is probably the only male singer with such a soft voice who made it big by singing select songs that provided justice to him and the song. His 'Mangalyam thanthunanena' will probably have taught most people (including me) the unforgettable wedding sthotram. 'Kaisi Hai Yeh Rut' from Dil Chahta Hai is one of the unforgettable melodies in Hindi cinema. Add Azhage Sugama (Paarthale Paravasam), Ennai Panthada (Ullam Ketkume), Kadhal Solvadhu (Badri), Chotta Chotta (Taj Mahal), Alangatti Mazhai (Thenali) to the list of my favorite songs. His one minute song - Mouname Unnidam from Mozhi was a good one and and fitted well in the movie too. The fast-paced Asathura in E20U18 was yet another song by this soft-spoken singer.
Sujatha mesmerized everyone in Netru Illada Maatram from Pudhya Mugham. Re-discovered by A.R.Rahman in Pudhu Vellai Mazhai (Roja), Sujatha was an integral part of many good albums that came out in the late 90's and early 2000's. Poo Pookkum Osai (Minsara Kanavu), Athisayam (Jeans), En Veettu Thottathil (Gentleman), Nejodu Kalanthidu (Kadhal Konden), Aasai Aasai (Dhool), Ishq Bina (Taal), Paadava (Little John), are few of my favorite songs of this ever-smiling singer whose daughter is beginning to make waves in the music world.
To be continued.... with many other singers and their songs.
Sadhana Sargam favorites:
Vennilave (Chanda Re) - Minsara Kanavu (Sapnay)
Chudithar Anindhu - Poovellam Kaettupar
Snehidhane (Chupke Se) - Alaipayuthey (Saathiya)
Anbae Idhu - Rhythm
Anbae Sugama and Azhage Sugama - Paarthale Paravasam
Dil Mera Ek Tara - 16 December
Pehla Nasha - Jo Jeeta Wohi Sikander
Akkam Pakkam - Kireedam
Swaasame - Thenali
Amma Un Pillai - Naan Kadavul
Udhaya Udhaya Ularaile - Udhaya
Naina Neer Bahai, Piya Ho, Aayo Re - Water
Poo Vaasam - Anbe Sivam
Merke Merke - Kanda Naal Mudhal
Ragasiyamai and Un Perai Sonnale - Dum Dum Dum
Aao Naa - Kyun Ho Gaya Naa
Kitni Baatein - Lakshya
Kuch Naa Kaho - Kuch Naa Kaho
Gup Chup Baatein - Love You Hamesha (unreleased)
Ahista Ahista - Swades
Pani Katre - Run
Manmadhanae - Manmadhan
Kaadu Thiranthe - Vasool Raja MBBS
Kadhal Vandhadhum - Poovellam Un Vaasam
Kadhal Vettukili - Parasuram
Enadhuyire - Bheema
Kalaiyil Dhinamum - New
Thigu Thigu - Ah Aah
And I guess this list got a little too long :) .
Jun 24, 2009
Tamil Radio - New links
The Aahaa FM link in an earlier post does not work anymore.
But here's a new link to listen to Aahaa FM, Sooriyan FM and Radio City Chennai.
http://loka.fm/PlayerFlash.aspx
There is a registration procedure for it, which is free!
Enjoy maadi :)
But here's a new link to listen to Aahaa FM, Sooriyan FM and Radio City Chennai.
http://loka.fm/PlayerFlash.aspx
There is a registration procedure for it, which is free!
Enjoy maadi :)
Recent memorable movies
Some movies that I watched recently and thought were memorable for some reason...
Fashion - A typical Madhur-Bhandarkar movie focussed on the Showbiz, had powerful performances from Priyanka Chopra and Kangana Ranaut. And not to forget, some good music as well. A confident Piggy Chops surely walked away with lot of trophies for this one :)
Dasvidaniya - What I expected to be a tear-jerker was a total surprise. With its amazing cinematography and good performances by the lead and the supporting cast (mainly Vinay Pathak and the female actor who played his mother), it was good weekend watch. Another form of bucket list and well made to suit Indian audience unfortunately found very few takers in the box office. Who appreciates off-beat movies anyways?
My Brother Nikhil - A very sensitive film with a protagonist who is HIV positive, and how his sister and friend stand by him and fight till the very end. I simply admire Sanjay Suri, Purab Kohli and of course Juhi Chawla for enacting the roles with such maturity. Hats off to director Onir for giving this masterpiece to Indian Cinema. My eyes were totally moist during the movie and after that too!
Varanam Aayiram - Not a favorite of everyone, the movie indeed was colorful and packed with emotions and at times things went overboard. But the genuineness of the director trying to portray a father-son relationship in that way needs to be appreciated. Whether it was completely realistic or not, is yet another topic. The music made the movie memorable too :)
Abhiyum Naanum - A counterpart of Varanam Aayiram -a father-daughter story told from the father's view. An interesting aspect was every daughter could relate to the movie and so did every father. With a near-perfect performance by Prakash Raj and ably accompanied by Aishwarya, though this movie could not recreate the magic of Mozhi (director Radha Mohan), the director needs to praised for providing clean entertainment. Trisha could have enacted the role a lot better.
Delhi 6 - I like and dislike the movie. Initially, I didn't realize what the movie was about, but later realized there were layers underneath and there was another interpretation of the movie within. I like it for making me think and I hate it for the same reason. A.R. Rahman had good music on this one, and there were used efficiently in the movie.
Mumbai Meri Jaan - An excellent portrayal of the aftermath of the Mumbai blasts and its effect on the lives of 5 individuals. A different and effective attempt, and good performances by Paresh Rawal, Kay Kay Menon, Irfaan Khan and Madhavan.
Changeling - A pretty slow movie and you know the theme of the movie from it's trailers itself. Angelina Jolie did great in the movie with her subtle emotions and with the 1920's style of dressing and mannerisms. It indeed was a depressing at times, but am sure it was a well-crafted and well-made movie. And Angelina sure deserved an Oscar nomination for this one.
I also felt Tehzeeb and Subramaniyapuram were different in their own right. But (with due respect to the directors) I didn't feel they impacted me too much :)
Fashion - A typical Madhur-Bhandarkar movie focussed on the Showbiz, had powerful performances from Priyanka Chopra and Kangana Ranaut. And not to forget, some good music as well. A confident Piggy Chops surely walked away with lot of trophies for this one :)
Dasvidaniya - What I expected to be a tear-jerker was a total surprise. With its amazing cinematography and good performances by the lead and the supporting cast (mainly Vinay Pathak and the female actor who played his mother), it was good weekend watch. Another form of bucket list and well made to suit Indian audience unfortunately found very few takers in the box office. Who appreciates off-beat movies anyways?
My Brother Nikhil - A very sensitive film with a protagonist who is HIV positive, and how his sister and friend stand by him and fight till the very end. I simply admire Sanjay Suri, Purab Kohli and of course Juhi Chawla for enacting the roles with such maturity. Hats off to director Onir for giving this masterpiece to Indian Cinema. My eyes were totally moist during the movie and after that too!
Varanam Aayiram - Not a favorite of everyone, the movie indeed was colorful and packed with emotions and at times things went overboard. But the genuineness of the director trying to portray a father-son relationship in that way needs to be appreciated. Whether it was completely realistic or not, is yet another topic. The music made the movie memorable too :)
Abhiyum Naanum - A counterpart of Varanam Aayiram -a father-daughter story told from the father's view. An interesting aspect was every daughter could relate to the movie and so did every father. With a near-perfect performance by Prakash Raj and ably accompanied by Aishwarya, though this movie could not recreate the magic of Mozhi (director Radha Mohan), the director needs to praised for providing clean entertainment. Trisha could have enacted the role a lot better.
Delhi 6 - I like and dislike the movie. Initially, I didn't realize what the movie was about, but later realized there were layers underneath and there was another interpretation of the movie within. I like it for making me think and I hate it for the same reason. A.R. Rahman had good music on this one, and there were used efficiently in the movie.
Mumbai Meri Jaan - An excellent portrayal of the aftermath of the Mumbai blasts and its effect on the lives of 5 individuals. A different and effective attempt, and good performances by Paresh Rawal, Kay Kay Menon, Irfaan Khan and Madhavan.
Changeling - A pretty slow movie and you know the theme of the movie from it's trailers itself. Angelina Jolie did great in the movie with her subtle emotions and with the 1920's style of dressing and mannerisms. It indeed was a depressing at times, but am sure it was a well-crafted and well-made movie. And Angelina sure deserved an Oscar nomination for this one.
I also felt Tehzeeb and Subramaniyapuram were different in their own right. But (with due respect to the directors) I didn't feel they impacted me too much :)
Mere thoughts...
No one really cares about one's success in life if his personal or professional life is not happy.
A stroke of good luck can revive someone's professional life. A stroke of bad luck can bring down someone to shambles. Usually it is hard work and some bit of that is attributed to one's success in professional life.
However, from my experiences, success in personal life is very different. Personal life need not just include the significant other or companion or spouse, it will also mean one's parents, siblings. good friends and the like. Your close ones are not going to be happy seeing you in a sad state of affairs. A family will always support its member, irrespective of the state he is in, and try to help him out in the tough situation. Luck doesn't usually impact one's personal life, but the person himself is capable of making a HUGE impact.
Come what may, trust yourself and know that people are on your side for support! There will be shortcomings. but surely there is light at the end of the tunnel!
A lot happens in life for one's good! Things that happen, happen for good! Things that don't happen, have not happened for the better... there are better things awaiting :)
A stroke of good luck can revive someone's professional life. A stroke of bad luck can bring down someone to shambles. Usually it is hard work and some bit of that is attributed to one's success in professional life.
However, from my experiences, success in personal life is very different. Personal life need not just include the significant other or companion or spouse, it will also mean one's parents, siblings. good friends and the like. Your close ones are not going to be happy seeing you in a sad state of affairs. A family will always support its member, irrespective of the state he is in, and try to help him out in the tough situation. Luck doesn't usually impact one's personal life, but the person himself is capable of making a HUGE impact.
Come what may, trust yourself and know that people are on your side for support! There will be shortcomings. but surely there is light at the end of the tunnel!
A lot happens in life for one's good! Things that happen, happen for good! Things that don't happen, have not happened for the better... there are better things awaiting :)
Feb 21, 2009
Elections - India votes soon!
It was since 1996 elections that I have been following the politics in India. And during the last elections I did vote and was very happy that I did that. Every citizen has a voice in the democracy which is a government by the people, for the people and of the people.
But is that the case in India - the world's largest democracy anymore? A lot of political leaders have made democracy - by money (buying votes), of money, for the money (corruption) making it more - 'BUY' the people, 'OFF' the people and 'FAR' (away from) the people.
Am sure, I am yet another mute spectator in this game, seeing money bags roll over between political parties and the leaders, religion and caste-based politics ruling the roost here. What qualification do - a tainted former Indian cricket captain and a cine actor who was in jail for the bomb-blasts have to contest the elections?
I love my country and sure want a knowledgeable leader leading it, and not a person who is in power for monetary benefit. Some day, surely, I want to make a difference to this scenario. Everyone is hoping for a change, but the change is yet to come to India. Hope it does sooner than later! This entire generation of politicians needs to go and the next generation (not hierarchical) should take up the reins.
Jai Ho India!
But is that the case in India - the world's largest democracy anymore? A lot of political leaders have made democracy - by money (buying votes), of money, for the money (corruption) making it more - 'BUY' the people, 'OFF' the people and 'FAR' (away from) the people.
Am sure, I am yet another mute spectator in this game, seeing money bags roll over between political parties and the leaders, religion and caste-based politics ruling the roost here. What qualification do - a tainted former Indian cricket captain and a cine actor who was in jail for the bomb-blasts have to contest the elections?
I love my country and sure want a knowledgeable leader leading it, and not a person who is in power for monetary benefit. Some day, surely, I want to make a difference to this scenario. Everyone is hoping for a change, but the change is yet to come to India. Hope it does sooner than later! This entire generation of politicians needs to go and the next generation (not hierarchical) should take up the reins.
Jai Ho India!
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